Drawing is the prism through which Pancho understands and creates his worlds. It is the medium through which everything he makes, begins. The prism is the engine of his imagination where the alchemy takes place, releasing images by transforming ideas and hunches into thoughts with some fixity of form and definite presence. […]
by Pedro Guedes

Facciamo un salto nel passato. Pausania afferma che si può dare il nome di “città” ad un raggruppamento di costruzioni che non possiede né edifici amministrativi, né ginnasio, né teatro, né piazza pubblica, né fontane alimentate da acqua corrente. Così la definizione di città secondo Pausania […]
di Saverio Pisaniello e Patrizia Pisaniello

It could be argued that the mythology of (lone white male) authorship is particularly strong in Australian architecture, where it is amplified – from the outside, at least – by a kind of frontier exoticism, and a ‘regionalist’ fetishisation of site, climate, and place. A key illustration of this is the award of the 2002 Pritzker Prize to Murcutt […]
by Naomi Stead